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2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. 
White edges, ready to be framed but also ready to hang.

I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.
2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. 
White edges, ready to be framed but also ready to hang.

I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.
2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. 
White edges, ready to be framed but also ready to hang.

I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.
2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. 
White edges, ready to be framed but also ready to hang.

I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.
2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. 
White edges, ready to be framed but also ready to hang.

I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.

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View In My Room

Sydney from the sky Painting

Michelle Angelique

Australia

Painting, Acrylic on Canvas

Size: 27.5 W x 39.3 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $1,120

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ABOUT THE ARTWORK

2019. 70x100cm. Acrylic on canvas. Finished with Liquitex Gloss Medium and Varnish. White edges, ready to be framed but also ready to hang. I was so lost half way because I was caught between realism and making it an explosion of colour. I just worked it until I fell in love with it (as usual)! This is from a photo I took of the Drummoyne/Woolwich/Balmain/Iron Cove Bridge/Cockatoo Island area in Sydney that I flew over on the way to Hawaii in 2017. All the little details did my head in but it was so worth it. I tried to find that balance between realism and impressionism.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

27.5 W x 39.3 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Michelle Angelique is a Sydney-based artist who works primarily in oil, acrylic and metal leaf. A self-taught artist, Michelle initially studied degrees in Psychology, Music and Concept Art before pursuing art full time. Michelle's work walks the line between reality and fantasy as she fuses realism with abstract through her mixed media techniques. Her self-portraits are deep, emotional expressions of her life and story that seek to connect with the viewer and in turn, evoke an emotional response. When Michelle paints the places she has visited, her style allows her to enhance the landscape and to give it an ethereal yet grounded feel. Michelle's work is constantly evolving alongside her own life experiences. Never one to be complacent, she is always experimenting and discovering ways to share her story such that others may connect with it. If Michelle's art can speak to a complete stranger - move them, inspire them - then she has done her job.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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