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TAKI II Painting

Inaki Arbulo

Spain

Painting, Acrylic on Canvas

Size: 65 W x 75 H x 1 D in

Ships in a Crate

SOLD
Originally listed for $8,570

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The work is a diagonal position that runs from the bottom to the left, to the top to the right. In that small place the waterfall begins to fall. It is a landscape of nature inspired by a Tokushima waterfall in Japan. Nature in Japan is sacred and the waterfall has something spiritual, clean, and co...

Year Created:

2013

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

65 W x 75 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Painting for me is an act of reflection. It means starting a trip inside, a return to an original mythological silence. It is to enter a noisy silence, contemplative emptiness full of sense. My years of artistic preparation studying traditional painting in Japan (Sumi-e), made me rediscover my environment with new eyes. The combination of my solid artistic formation in the University of Seville in Spain and my research studies in the University of Tokio showed me a particular suggestive language through which I try to build an emotional bridge with an intuitive perception of the infinity. In my works there is a moment of detained contemplation, an effort to make the ephemeral permanent, to see the immobile and the immutable through the oasis of the calm reflexive contemplation. I pretend to make people feel the presence of the impalpable, of magic, of ineffable things … The technique I use in my paintings promotes transparency, glaze, the light coming from the inside of the painting. The quality of the colours that I use is essential. It is a mixed technique that includes acrylic paint together with oil painting with natural pigments. With a texture obtained with the use of different types of sand, I intend to look for an “epidermis” for the painting that is sensitive as well as vibrating at the same time. In none of my painting the human being has a place; it is not necessary; it is in the first place, always present by evocation. All in all, I pretend for my paintings to act as resonances for the engrossing vigilant spectator. My paintings want to become “figurative” spaces that tend to the Absolute. Suggestion and evocation; they try to tell without pronouncing. As Arthur Rimbaud said: “There are other worlds, but they are in this one”.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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