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Influenced by Paulo Coelho’s fable about fulfilling one’s destiny on the journey of life. This painting is an allegory of the artist’s own journey, involving a lifelong commitment to advocating for the environment and the protection of endangered species.

From the collection entitled ‘ANIMA MUNDI’ spotlighting the intrinsic connection between all living things on the planet. This equitability of importance between all living organisms is underscored by challenging the usual hierarchy of foreground and background and giving equal significance in the compositions between figures, flora and fauna. The works are both allegorical and literal and simultaneously present a utopian and dystopian viewpoint. Self-portraits appear as ‘protector of the animals’ and environment, making up the majority of the canvas, but certain repeating themes are signifiers that in an otherwise halcyon landscape, all is not quite as it seems. The butterfly is a recurring motif representing the idea that initial small causes may ultimately have profound effects, such as the extensive impact of climate change. The camera phone panels are another recurring motif showing explicit warnings of the negative effects of human activities, unless there is a willingness to reconnect with the natural world.

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THE ALCHEMIST Painting

Claire Milner

United Kingdom

Painting, Acrylic on Canvas

Size: 31.9 W x 23.2 H x 1.8 D in

Ships in a Box

SOLD
Originally listed for $4,690

68 Views

4

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

‘The Alchemist’ from the collection entitled ‘Anima Mundi’ was selected by the conference organisers to be exhibited on the world’s biggest stage in the Blue Zone of the SEC in Glasgow for the COP26 conference. The work was displayed with Explorers Against Extinction art exhibit which was chosen as one of only fifteen exhibits out of thousands of initial applicants to be presented to the delegates. Influenced by Paulo Coelho’s fable about fulfilling one’s destiny on the journey of life. This painting is an allegory of the artist’s own journey, involving a lifelong commitment to advocating for the environment and the protection of endangered species. From the collection entitled ‘ANIMA MUNDI’ spotlighting the intrinsic connection between all living things on the planet. This equitability of importance between all living organisms is underscored by challenging the usual hierarchy of foreground and background and giving equal significance in the compositions between figures, flora and fauna. The works are both allegorical and literal and simultaneously present a utopian and dystopian viewpoint. Self-portraits appear as ‘protector of the animals’ and environment, making up the majority of the canvas, but certain repeating themes are signifiers that in an otherwise halcyon landscape, all is not quite as it seems. The butterfly is a recurring motif representing the idea that initial small causes may ultimately have profound effects, such as the extensive impact of climate change. The camera phone panels are another recurring motif showing explicit warnings of the negative effects of human activities, unless there is a willingness to reconnect with the natural world.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

31.9 W x 23.2 H x 1.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

British artist Claire Milner was famously commissioned to create the Blue Marilyn portrait for Rihanna, widely featured by the global media, but her personal body of work is made up of paintings inspired by her time spent in Africa focusing on social and environmental issues. In May 2023 Milner was selected as one of fewer than ten artists worldwide for Active Membership of the Gallery Climate Coalition, along with several blue chip galleries, institutions and museums. Her work was selected by the conference organisers to be exhibited in the Blue Zone of COP26. She works in collections which are continuously evolving around the theme of nature, our place within it and encroachment upon it. Environmental references such as climate change and mass extinction have been the central focus of her image making for more than two decades. Her artworks include diverse mediums including paint, paper and collage, and as a signifier of her familial ties to Italy, she sometimes incorporates the ancient art of mosaic - famous for animal depictions – and crystal methodologies as a symbiosis of past and present. Her portrayal of animals’ interchanges between the metaphoric and the literal, yet the impact of humanity remains implicit, even when the human figure is absent or plays a minor role in the composition. Her process begins with extensive research, engaging in hours of study, compiling statistics and viewing painful imagery of the consequences of poaching, habitat loss and climate change. A great deal of consideration is given to the integration of this material into the final composition, where realistic and abstract elements coexist, alongside carefully selected art historical references and themes from classical literature forming a balance of topical and historical narratives. Milner’s work has been displayed in museum exhibitions in the UK and her paintings have been widely featured in the global media including the BBC, BLOUIN ARTINFO, Channel News Asia, Elle, Forbes, Huffington Post Arts, The Observer, Save Virunga, The Telegraph, The Times, Vogue Paris and Vogue India.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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