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THE LIVING AND THE DEAD
triptych 2018
acrylic and oil on canvas
310 (w) x 120 (h) x 4,5 cm

3 LARGE-SIZED PAINTINGS
LARGE-SIZED TRILOGY AS TRIPTYCH

I share the opinion of the famous Norwegian painter Edvard Munch (1863-1944), that paintings contain not only a creative message as single piece. You can look at them also in a major conceptional context. This trilogy THE LIVING AND THE DEAD combines three essential of my works (2018) from aesthetic standpoints as well as with regard to contents. 

Central topic is light: brightness as a symbol that stands for the beginning, the morning, the pureness and birth, the ease and light-heartedness. In other words: innocence. And this innocence is beautiful, perfect, immortal. This innocence is emotional, it touches and is a promise. Mostly the triptych works with very different yellow and red colours. We are talking about affirmative paintings as a stark contrast to the (daily) madness and confusions around us. These paintings are my answer to all the negative events in this world and it correlates with my credo: be hot, be cold but never be lukewarm. Today is already past, and we have to fight against the gloom before melancholia will drown us. We should offer resistance against the inner and outer debris fields – we can be warriors of the light (within the meaning of Paulo Coelho) and we are able to design our fate in an intensive and positive kind. We’re standing back to back and defending our well standpoints. We are making mistakes. But we are fighting.

The triptych combines following 3 works and should "read" from left to right:

"IF YOU WERE AN EMPIRE ON WHICH THE SUN NEVER SETS II"
acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm
left part of the triptych 

"AS IF THE MORNING SUN ENLIGHTENS THE SEA"
acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm
center part of the triptych 

"IF YOU WERE MY MORNING IN THE WILDERNESS"
acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm
right part of the triptych 


* * * *

"The past is not dead. It's not even past."
~ William C. Faulkner (1897-1962)

* * * *

This triptych is a true LARGE-SIZED TRILOGY. For a large-scale, aesthetic and colourful impression on your wall AND as my authentic and personal artwork with an artistic subsurface message. All of these paintings also for sale as single pieces here at Saatchi Art. This triptych offers a price advantage in comparision to the summarized single selling prices. For further information about the specific topic of each artwork and additional photos please visit the pages of the 3 single paintings at Saatchi Art.
 
I use exclusively oil and acrylic colors, canvas and solid wooden frames in a professional museum quality. The three paintings wear my signature on the front and they are signed, entitled and dated on the backside. Deliberately the XL-sides/edges (about 4,5 cm wide) are not part of the paintings and show the black painted canvas (beautiful contrast). The paintings are ready to hang (on the backsides: high-quality iron plates with metal inserts and nylon rope for gallery use), unframed and don’t need a frame or any additional surface treatment. All paintings need a single hanging (no backside connections between the paintings). This trilgy contains 3 single paintings, each in acrylic and oil on canvas and with dimensions of 100 (w) x 120 (h) cm. I prefer a hanging distance each of 5 cm between the 3 single paintings. Complete dimensions of this artwork, including the hanging space between the single paintings: 310 (w) x 120 (h) x 4,5 cm. 

The piece (3 paintings) will be safely shipped in a custom wooden crate. It will be accompanied by a certificate of authenticity and a cover letter. Please note: In context pictures are not necessarily to scale and are for illustrative purposes only. 

If you have any questions about this triptych or any other piece, feel free to contact me and I’ll get back to you as soon as I can. Thanks so much for taking an interest in my work.

Warm wishes,
Christian
the triptych THE LIVING AND THE DEAD in the studio
left part of the triptych
center part of the triptych
right part of the triptych
585 Views
36

VIEW IN MY ROOM

THE LIVING AND THE DEAD (triptych) Painting

Christian Bahr

Germany

Painting, Acrylic on Canvas

Size: 122 W x 47.2 H x 1.8 D in

Ships in a Crate

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SOLD
Originally listed for $11,000
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585 Views
36

Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

THE LIVING AND THE DEAD triptych 2018 acrylic and oil on canvas 310 (w) x 120 (h) x 4,5 cm 3 LARGE-SIZED PAINTINGS LARGE-SIZED TRILOGY AS TRIPTYCH I share the opinion of the famous Norwegian painter Edvard Munch (1863-1944), that paintings contain not only a creative message as single piece. You can look at them also in a major conceptional context. This trilogy THE LIVING AND THE DEAD combines three essential of my works (2018) from aesthetic standpoints as well as with regard to contents. Central topic is light: brightness as a symbol that stands for the beginning, the morning, the pureness and birth, the ease and light-heartedness. In other words: innocence. And this innocence is beautiful, perfect, immortal. This innocence is emotional, it touches and is a promise. Mostly the triptych works with very different yellow and red colours. We are talking about affirmative paintings as a stark contrast to the (daily) madness and confusions around us. These paintings are my answer to all the negative events in this world and it correlates with my credo: be hot, be cold but never be lukewarm. Today is already past, and we have to fight against the gloom before melancholia will drown us. We should offer resistance against the inner and outer debris fields – we can be warriors of the light (within the meaning of Paulo Coelho) and we are able to design our fate in an intensive and positive kind. We’re standing back to back and defending our well standpoints. We are making mistakes. But we are fighting. The triptych combines following 3 works and should "read" from left to right: "IF YOU WERE AN EMPIRE ON WHICH THE SUN NEVER SETS II" acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm left part of the triptych "AS IF THE MORNING SUN ENLIGHTENS THE SEA" acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm center part of the triptych "IF YOU WERE MY MORNING IN THE WILDERNESS" acrylic and oil on canvas, 2018, 100 (w) x 120 (h) x 4,5 cm right part of the triptych * * * * "The past is not dead. It's not even past." ~ William C. Faulkner (1897-1962) * * * * This triptych is a true LARGE-SIZED TRILOGY. For a large-scale, aesthetic and colourful impression on your wall AND as my authentic and personal artwork with an artistic subsurface message. All of these paintings also for sale as single pieces here at Saatchi Art. This triptych offers a price advantage in comparision to the summarized single selling prices. For further information about the specific topic of each artwork and additional photos please visit the pages of the 3 single paintings at Saatchi Art. I use exclusively oil and acrylic colors, canvas and solid wooden frames in a professional museum quality. The three paintings wear my signature on the front and they are signed, entitled and dated on the backside. Deliberately the XL-sides/edges (about 4,5 cm wide) are not part of the paintings and show the black painted canvas (beautiful contrast). The paintings are ready to hang (on the backsides: high-quality iron plates with metal inserts and nylon rope for gallery use), unframed and don’t need a frame or any additional surface treatment. All paintings need a single hanging (no backside connections between the paintings). This trilgy contains 3 single paintings, each in acrylic and oil on canvas and with dimensions of 100 (w) x 120 (h) cm. I prefer a hanging distance each of 5 cm between the 3 single paintings. Complete dimensions of this artwork, including the hanging space between the single paintings: 310 (w) x 120 (h) x 4,5 cm. The piece (3 paintings) will be safely shipped in a custom wooden crate. It will be accompanied by a certificate of authenticity and a cover letter. Please note: In context pictures are not necessarily to scale and are for illustrative purposes only. If you have any questions about this triptych or any other piece, feel free to contact me and I’ll get back to you as soon as I can. Thanks so much for taking an interest in my work. Warm wishes, Christian

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:122 W x 47.2 H x 1.8 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

CHRISTIAN BAHR has been a passionate, profound German painter and experienced draftsman for over 35 years, selling his works worldwide. His works can currently be found in private collections and public spaces in the US, Mexico, Canada, UK, China, Thailand, Australia, Spain, Portugal, Belgium, Germany, Poland, Malta, Sweden, Russia, Ukraine and Belarus. His atmospheric large paintings are poetry and artistic struggle at the same time. They capture both harmony and conflict, overall reflecting a strong aesthetic. He has participated in many national and international exhibitions. What he believes in: ........................................................................... “Not everything is art. But art is everything and everything breathes art in one way or another. Art is the true beauty of mankind.” ........................................................................... “I work in my studio nearby the big German coastal city of Hamburg, on the North sea. I’m a seeker as a painter, in search of answers. The single human takes center stage. I work constantly, with great passion and discipline on my further artistic way. I have a clear, strong painting philosophy. And I deal with philosophical, mythological as well as with historical subjects in my works.” ........................................................................... “I go my own way in my paintings. I find the source for my inspiration in me. Spontaneous action is the key, my preferred method. I work intuitively and in most cases without previous sketches, because I do not need a creative distance, I only reduce the view of our surroundings. Added value and clarity through abstraction. It must be rough, original, melancholic, dark, and yet at the same time bright, poetic, clear and full of hope. No maybe, no lukewarm. Every moment counts. That's exactly how I paint." ........................................................................... “Painting is a beauty, soul and passion, but sometimes fighting. A fight with myself, an endless struggle for colors and motif in my own conversation, as a rough internal dialogue. There are these days and nights, when I fight for every single brushstroke, when I question every color scheme. But it is good it is not always easy. Because each artistic battle is worthwhile and shows that I am - as an artist - still alive, breathing and developing.“ ...........................................................................

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Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

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