525 Views
3
View In My Room
Painting, Oil on Canvas
Size: 48 W x 36 H x 2 D in
Ships in a Box
525 Views
3
Tabellarius ("Carrier/Bearer") uses a rhinoceros as a vehicle, giving the viewer a familiar point of entry to the painting. On closer inspection muddy colors clash, the texture alternates between silk and sandpaper, the anatomy is impossible and the composition uncomfortable. Traditional views on good practice in representational oil painting have been selectively discarded or adapted to achieve the freedom to assemble a new thing from pigment and oil. An abstract painting might achieve the same goal, but when meaning, structure and texture are primarily derived from the process of painting and the properties of paint rather than, as would be expected, a study of the subject, the significance of the pigment, oil and brush marks is more powerfully emphasized. Proper disclosure: The frame currently on this painting (a lightweight plastic frame) has slight bulges on the corners where the frame staples where inserted. The damage is hardly noticeable, but if you want it to be 100% flawless I'd recommend having it reframed at some point with a sturdier wood frame.
2015
Oil on Canvas
One-of-a-kind Artwork
48 W x 36 H x 2 D in
Brown
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
South Africa.
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South Africa
In my art I focus on things that please me, without consideration for good taste, market trends or prevailing thoughts within the art establishment on what good art should be. My art is a selfish exploration into the world of pictures. As much as it delights me when others find my work appealing, public acclaim and financial success are not driving forces in my art production. I believe that artists should focus on "making things" rather than appropriating, capturing, talking or performing. Our fascination with art is after all like being in love. A performance/installation can uplift, revolutionise, educate and inspire, but it cannot be loved in the same way that a painting or a sculpture can be loved.
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