Tarentaise's valley, I. french Alps Painting

Technics : (oil, acrylic, watercolor, pastel, charcoal) Registration in the House of Artists, (MDA) Paris -"We only see with the heart, the essential is invisible to the eyes» I quote .Antoine de Saint-Exupéry, because I think the same thing especially with regard to painting. Originally self-taught, I started in adolescence with portraits. Life was my Academy of Arts. Later, I attended several workshops in Prague and in Paris. I like the impresionnists and am touched by the work and life of Leonardo da Vinci and Gustave Courbet. Even if nature is my main and unmissable inspiration, I also like to sketch the body of a living or imagined model or hood of an old car .... In my paintings, I express what I do not know to say with the words ... ------------- Nadia Viguier and mystery Some works of Nadia Viguier give birth to allowing access not at her most intimate secret but the most intimate secret. It is to what the artist unkowinglly will. There is (and despite the idea of maternity) something about the "Carmelite" because loneliness calls for violent communion. The Artist - by sudden abstraction of reality - looking for a form to the shape of everything she brings out even thought it may seem strange since nothing in her is of the order of the simple demonstration of evidence. Emerges a form of enjoyment of the order of a pagan spirituality. A huge tide or a geyser springs from the earth. This is due to the fire (for color) and the telluric. This is no longer satisfied the kingdom of shadows. The artist goes currents, sometimes stairs of unknown where they lead. How to overcome this wave or this ascent? Somehow the artist releases us from the ground. We slip into such images, we become accomplices "innocent" (or not). Remain traces, wastelands. The moon or the sun takes us away from the slumber. Light opens the literary sense inexpressible. A powerful blast through space. Jean-Paul Gavard-Perret. THE LITERARY SHOW (2015) Nadia Viguier and the bundles of colors. There are spurts in Nadia Viguier's landscapes. Especially among those who come out - in appearance - from the real. Nature escapes nature by the power of colors. This one doesn't go without some more underlying eros than "exposed" - which is much more subtle and profound. Event when the landscape is closer to the real, there are still many secret secret passages.