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Painting, Oil on Canvas
Size: 20 W x 16 H x 1 D in
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The compressed passages of thick paint in this dense composition are intended to feel aesthetically lush and pleasant, though constrained, akin to the physical pleasure experienced when bodies are locked in the tight embrace of sexual pairing. The silhouetted buttocks-like shape at the top of the composition encourages this interpretation, as does the turned-over reading of male genitalia plunging downward just below. Together, these visual clues work in tandem with the remaining "hand-in-glove" paint passages to place the viewer in mind of, and in close personal proximity to, the mechanics of sexual intercourse. The title, playing further on this theme, refers to the many ways and positions in which two people can experience intimate pleasure. Influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning.
2002
Oil on Canvas
One-of-a-kind Artwork
20 W x 16 H x 1 D in
Not Framed
Not applicable
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Don Keene's paintings are bold expressionistic renditions of a ‘Red Light’ district that lurks in the subconscious. Evading time, place and definition, these vignettes represent a freedom of will from judgment while the colors and lines that portray unabashed passions saturate the composition with frenzied force. - D. Domick Lombardi Don Keene is a product of Pasadena's Art Center College of Design and the graduate program in Studio Art at The College of New Rochelle. His concerns with the human figure are less illustrative than they are metaphoric. His abstract accumulations of paint and form investigate the relationships we have with our bodies. The investigative dialogue he orchestrates deals with how and why human experience is confounded by primordial passion and desire within a free society that confuses sensuality, sexually charged imagery, emotive content, feelings of personal tension and self-consciousness, and the role of eroticism and pornography. It is the incongruous nature of this content that, for Keene, is in need of exploration. The resultant paintings and drawings on canvas and paper are purportedly abstract yet feel sexual. - William C. Maxwell
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