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"The Aftermath II" Painting

Ella Nash

United Kingdom

Painting, Oil on Canvas

Size: 47.2 W x 51.2 H x 0.8 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My painting depicts the destruction caused by the bombing of Coventry Cathedral. I aim to express the pain of the architecture through a symbolic colour palette, using texture and compositional arrangement to draw the viewer in. The reds and blacks symbolise death and destruction. I aim to convey ...

Year Created:

2020

Subject:
Mediums:

Multi-paneled Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 51.2 H x 0.8 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Ella Nash

Ella Nash

United Kingdom

Ella Nash is a Worcestershire based artist who’s worked within the art and textile industry. Nash’s collection of work is inspired by derelict churches and cathedrals. She aims to capture the essence of these ancient buildings exude, using an expressive colour palette and texture to convey drama and atmosphere. Nash draws her inspiration from war artists of the second world war. She is an abstract painter who uses a range of mixed media, working on a large scale using a variety of tools and found objects to make her marks on the canvas. She enjoys the immediacy of working using her hands and sticks to paint directly onto the canvas, creating a sort of closeness within her work.

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