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Painting, Oil on Canvas
Size: 54 W x 33 H x 0.8 D in
Ships in a Crate
162 Views
1
This work, drawing upon the classical fairytale of Sleeping Beauty, extends into an idea that the 'ideal' cannot and will not exist in the real world and can only live in the mind. She plays the part of both a person resolved to dream in paradise rather than endure the realities of the world, but also that of a perfection that could never live among us. We are not ready for her existence. The spectacles, drawn from the oculist symbol in 'The Great Gatsby' suggest this 'ideal' world watches us back, impassively or full of judgement, we cannot know. The reclining female and dramatic staging of this piece link it to a classical and mythical time. An 'other-world' only peeks through behind the countless veils and draperies.
2016
Oil on Canvas
One-of-a-kind Artwork
54 W x 33 H x 0.8 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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A painter, illustrator, and writer, Prinn has been self-taught and passionate about art, nature, and storytelling from a young age. Loving to draw from life and the imagination, she studied both masters and alongside painters whom she admired. Awarded a generous scholarship, she went on to complete a B.F.A. in Painting at The Savannah College of Art & Design. Prinn moved her professional career to her ancestral home of New Zealand, finding success exhibiting in group and solo shows alongside portrait commissions and book illustration. Here she was selected finalist for the prestigious Adam Portrait Award two years consecutively, going on to tour nationally through The New Zealand Portrait Gallery. Having distinguished herself in portraiture, she extended her work to Europe, engaging with clients in Germany, Italy, and Spain. Alongside her realist work, Prinn executes symbolic, uniquely stylized drawings in pen and ink that have become an index to her mythological world 'The Islands of Niljora', which she slowly publishes and reveals. Most recently her work in this style was shortlisted for The Parkin Drawing Prize presented with The New Zealand Academy of Fine Art. Her first illustrated book of 'Niljora' is held in The National Library of New Zealand and The Otago University Libraries.
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