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The Beauty of Genetic Engineering Painting

Andrew Jetter

United States

Painting, Acrylic on Canvas

Size: 24 W x 20 H x 1.5 D in

Ships in a Box

This artwork is not for sale.

361 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Subject #422: This creature is a single example of the countless organisms created within the inhabitant’s genetic engineering labs. Through gene splicing, they are able to create vibrant creatures with a conscience that thrive in a way best adapted to the system. Bursting with life this latest cre...

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 20 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I’ve always had a scientific-oriented mind. Painting, ⟨and creating, more generally⟩ provides both an outlet for me to express my scientific side and a method of experimentation. I construct vast landscapes to delve into that feature grand themes including ∋ ⟨fundamental dualities | knowledge horizons | natural and artificial juxtapositions ⟨as well their superpositions⟩ | and the illusion of dimensional scale |. A compulsion to explore leads me to new ⟨places⟩⟨i⟩ to observe | condense information | make intuitive | and conceptualize new horizons⟩. Being from Albuquerque, I naturally draw inspiration from our mind-blowing skies that contrast so vividly with the raw, Earth tones of our environment – all of which is part of the Σ⟨the decaying infrastructure of thin stucco⟩ + ⟨the ever-present dust⟩ ⋅ ⟨our diverse culture that shapes it⟩. From this source material I create worlds flirting with the edge of reality. Believable places, but with an unsettling undertone of impossibility that invites the viewer to analyze . . . | indefinitely |²

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