VIEW IN MY ROOM
China
Painting, Screenprinting on Canvas
Size: 39.4 W x 59.1 H x 0.1 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
This was originally titled ‘Mr. Jolly’ when created in the China studio, in the bustling garden city of Chengdu. As with most cities, you generally don't have to travel too far to encounter the remnants of Maoist China. There's a curious power to the icons that remain in place. The title was a placeholder until I got myself out of China, I'd already had my fill of confrontations over the assumed (or occasionally intended) political connotations in my work. I've discussed numerous times within my work the curious power that remains within Mao's image, a legacy that personally fascinated me in the years I'd spent living and working in China. 'The Black Hand' is direct reference to this, and my attempt to offer some alternate, or perhaps unspoken perspective on the hidden forces affecting Chinese citizens as their environment constantly evolves. This piece was also essentially a draft of the 'five word prose' idea I initiated two years prior. Looking for form, I began experimenting with the idea of complimenting the prose with imagery. I had planned to make a series of these works, having drafted numerous pieces of prose/imagery, but alas as it turned out my days in China were numbered. Perhaps I'd finally outstayed my welcome, having been warned on a number of occasions of the risk in defacing Mao's image. Of course for me this presented yet more reason for pursuing the line of enquiry, making the work a fitting reference to such ambiguous taboo. Unbeknownst to me at the time of making this, I would soon find myself in Hong Kong during the first wave of protests, being refused a return visa to China. Several social media posts of mine on the WeChat platform were blocked during my stay, potentially sealing my fate on subsequent visa application rejections. Hidden forces at work perhaps...
Original Created:2019
Subjects:Culture
Materials:Canvas
Styles:Pop ArtDocumentary
Mediums:ScreenprintingStencilAcrylic
Painting:Screenprinting on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 59.1 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Ireland.
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In 2013 I opened up my first studio/gallery space in China. Working in a variety of media, with a focus on silk screen printing, I began exploring my own working practice, while connecting to and collaborating with a number of artists and creatives in Chengdu City. My personal work in this period spanned multiple mediums including solo/group exhibits and curation of a number of group shows and events (2013-2019). Whichever media/medium I find myself working in, my first intention is always to find ways in which to connect with people in some new way, in an attempt to alter perspectives, both real and imagined. I may also on occasion be looking to provoke, though only ever with the aim of starting a conversation. Communication of ideas is where my personal curiosity lives. My initial works in China centered on iconography, as I sought ways to both empasise and deconstruct the power of recognisable imagery and icon (I was also having fun with people's reactions). As I've continued to experiment, more recent works have centered around language, with a recent exhibit 'Failure to Communicate' (2019) investigating social context bias (Dual Inheritance Theory). I've been very much enjoying the process of honing thoughts and observations down into concise, often prose like structure, transforming these texts into visual, sometimes abstract imagery.
Artist featured by Saatchi Art in a collection
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