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Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration.

I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital.

Work is all original and ready to hang.
Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration.

I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital.

Work is all original and ready to hang.
Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration.

I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital.

Work is all original and ready to hang.
Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration.

I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital.

Work is all original and ready to hang.
Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration.

I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital.

Work is all original and ready to hang.

41 Views

1

View In My Room

The Cold Shoulder Painting

Kat Hernden

Canada

Painting, Acrylic on Canvas

Size: 36 W x 36 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $1,700

41 Views

1

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Patterns are everywhere: in nature, in architecture, on bathroom floors. They imbue this seemingly chaotic and mad world with structure and order, and I adore them. They also provide endless inspiration. I use masking techniques when applying the acrylic paint to the canvas. This allows me to achieve the precision necessary to complete these complex geometric shapes and patterns. Most of the line work is then embroidered. Using long stitches I hand-sew perfectly straight lines that coalesce and diverge throughout the composition. Variations in value are created by the proximity of the threads. The application of traditional craft processes (i.e. embroidery) to the canvas, a spot usually reserved for painting, challenges the conventional notions of what qualifies as art and what qualifies as craft. It also adds a human, feminine touch to what otherwise could be perceived as sterile or digital. Work is all original and ready to hang.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

36 W x 36 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Chicago, Chicago

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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