VIEW IN MY ROOM
The Danger of a Single Story #01 Painting
Australia
Painting, Oil on Canvas
Size: 30 W x 60 H x 1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
About The Artwork
In this work I was inspired by the idea of embracing all of humanity and learning from our past. In any one event there is more than one interpretation and by omitting certain viewpoints we are in danger of a divergence from the truth. The historical precedents that inform and empower the racial divide of today have a strong propensity to negate the ‘Other’ (Female, Indigenous, Refugee and Migrant). As we separate and reject others we disconnect from our humaneness, we, like the ‘Other’ cease to exist in our entirety.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 60 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Megan Seres is a multi-award-winning artist with a BFA 1st C (Hons) National Art School, Sydney Australia. Solo shows include ‘Carriers of Light, 2021’, ‘Before the Ending, 2018 and ‘Fairy Tales, Myth and Imaginary Tales, 2016. She has been included in 28 group shows and has been a finalist in 25+ art prizes nationally. Her work is held in numerous private and public collections including Adderton House, QLD; Australian Standfirst, VIC; Moran Arts Foundation and Redlands, NSW. Commissions include 20+ artworks created for the TV series ‘Love My Way’ for Southern Star Pictures and 12 artworks for Adderton House. Additional projects have included portrait commissions, teaching workshops, mentoring, artist talks, art prize judging, inclusion in the consultation meeting of ‘Revising the Code of Practice’, National Association of the Arts Australia (NAVA), writing an ‘Artists Guide to Competitions’ for NAVA and 2 x editorial submissions for Art Almanac. Megan was approached by Harvard’s Professor Flossie S J Chua to contribute her work ‘Danger of a Single Story’ to the ‘Arts as Civic Commons’ Image Bank USA.
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