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"The Financial Times nude 2. (Newspaper art)." Painting

Juan Sly, United Kingdom

Painting, Paper on Canvas

31.5 W x 31.5 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

International shipping takes up to 10-14 business days

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The Financial Times nude 2 . Urban Pop art in your own home by cult artist Sly. These paintings are “painted” solely by gluing on pieces from The Financial Times and The Daily Telegraph, no paint is used at all, and the effect is extraordinary. They are stuck onto canvas and the edges wrapped aro...

Year Created:

2024

Subject:
Mediums:

Painting, Paper on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 31.5 H x 1.6 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Juan Sly

Juan Sly

United Kingdom

It is likely that Juan Sly has become the biggest seller of original artworks in the UK. An artist exhibiting in mainly spray stencils and oils. He has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves and now has a permanent collections in Germany, Detroit and the Uk, alongside Damien Hirst and some other artists you might of heard of plus private collections around the globe. His works rock from humour to anti-war, sex to surreal. Particularly fond of the stencil medium as it allows him to quickly respond to events and ideas and gives the work that gritty illegal look. The stencils naturally allow the works to be resprayed and so become affordable and disposable. He likes the fact that people can buy art that they like and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol. Spiel by Steeve

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Erin Remington, Curatorial Director