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The grass is always greener the other side, geometric mindscape Painting

Jessica Moritz

Israel

Painting, Acrylic on Wood

Size: 15.7 W x 15.7 H x 1.2 D in

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About The Artwork

The grass is always greener the other side Blob series It’s in movement that you can find stillness and vice versa. In the process of the blob series, I observe data and chose a small piece that can be translated into a movement. Each time the shape, like a glyph is very minimal, and I extend it to a larger scale. I start by drawing on paper, extracting the shape, then finding a piece of wood that can fit. Sourcing materials takes time but brings a new perspective to the process. Once the wood is painted with primer, I start tracing circles, and the grid and place the glyph. Then comes the cutting part, hand jigsaw, and sanding. About colors, each harmony is created to fit the shape and add dimension, eventually an optical illusion of the concept. On this one, I was thinking about the paradox of the land, also the colors related to it. As the quote says " the grass is always greener the other side", what if the negative of the shape, the cutout would be the most interesting. We often forget to appreciate the physical enjoyment to stand where we stand, the surrounding, the architecture, the fact to belong somewhere. I created a color palette with colored grey, cool tones with yellow and greens. Thinking about the different shadows in the park, around and reducing it to range of colors, as an anecdote of outside each moment becomes an abstract landscape you can appreciate wherever you are. pigments and acrylic on reclaimed wood, hand jigsawed ready to hang, all sides 40 X 40 X 3,2 (cm) 2023 Tel Aviv, Israel.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:15.7 W x 15.7 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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