VIEW IN MY ROOM
Canada
Painting, Oil on Other
Size: 0.4 W x 0.4 H x 1 D in
Artist Recognition
Artist featured in a collection
The Jetliner was made by Avro, Canada. Avro then went on to design and manufacture the Avro Arrow. The Jetliner had its first flight in August 1949 in Ontario, and reached speeds in excess of 500 mph. (At the time, passenger planes typically flew 200 to 300 mph.) The Jetliner could have carried 60 passengers at a cruising speed of 450 mph. During trials in 1950/51, the aircraft broke every passenger-transport performance record on the books. The Jetliner was also the first jet to carry mail in North America and the first commercial jet to fly in the United States. In 1952, National Airlines contracted Avro for a small fleet. And, as a major stakeholder in TWA, Howard Hughes was so impressed that he wanted 30 for his airline. The USAF was also enthusiastic, and allocated funds for the purchase of 20 military Jetliners. None of them received any planes. Due in large part to the advent of the Korean War, the Canadian government ordered the Jetliner program halted in early 1951 and told Avro to focus on military aircraft production and tool up for the design and manufacture of the CF-100 jet fighter, one of Canada's most successful fighter aircraft. Only one Jetliner was built. It was used as data support platform for the in-flight test program for the CF-100 but, since the government didn't want more Jetliners, the first and final one was broken up for scrap in 1956 after seven years of faultless flying. This painting is not just about the Jetliner but is also part of the story of aviation designer and engineer James C. Floyd. As the designer, he gave the aircraft its name, 'The Jetliner". As Vice-President and Director of Engineering for Avro Canada, he was also responsible for Canada's most famous aircraft, the Avro Arrow. The reflection of the Arrow can be seen on the tarmac. After the Arrow was cancelled, Floyd took his team to England and conducted the early feasibility studies for Hawker-Siddeley on the Concorde Supersonic Transport. The little girl in the painting is holding that future in her hand. Not unexpectedly, the Concorde bears a striking resemblance to the Arrow.
Painting:Oil on Other
Original:One-of-a-kind Artwork
Size:0.4 W x 0.4 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Surrealist Painter Exact prices available upon request - contact the artist: r.vanderhorst@sympatico.ca The paintings of Robert Vanderhorst envision a world where psychological, social and material processes are intimately entwined. While figurative, his work typically rejects static pictorial spaces and linear narratives. Instead, a cumulative, serial or recombinant approach is evident in much of his work. The resulting imagery is alternately familiar and estranged, direct and mediated, traditional and unconventional. At play are subjects that are suspended in an imaginary environment that creates an implicit tension in the painting. Vanderhorst's environments are both transformative and in the process of transformation "” perpetually perched on the edge of becoming something else.
Artist featured by Saatchi Art in a collection
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