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The Lemon House, Tuscan Series Painting

Peggy Trimble

United States

Painting, Watercolor on Paper

Size: 22.5 W x 18.5 H x 1 D in

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$740

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About The Artwork

A fabulous visit to Tuscany last year inspired The Lemon House, one of my special Tuscan Series paintings. This 18th century building hides a surprising secret. A different angle of the building would reveal that the left side of this antique structure hides a long section behind the swaying cedars. And that ell stores huge pots of full-grown lemon trees during the winter months. During warmer months the trees live outside and surround a beautiful parterre garden built around an enticing statue of an Italian goddess. The warmth of the area's traditional colorways contrasts nicely with the soft greenery of the countryside. As with all of my original paintings, The Lemon House is professionally custom framed with only conservation materials and methods. The painting is wired for immediate hanging, with hangers and nails included. Please note: Framed originals shipped only in the contiguous U.S. Elsewhere, the original will be removed from the frame for shipping.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:22.5 W x 18.5 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

After working many years in the corporate world, I changed careers in 1993, opening The Finishing Touch, a custom framing company which specialized in framing original art and antique prints. A few years later I began teaching a Matting and Framing class at the Middletown Art Center, and then added watercolor classes by Frank Martindell into my schedule. It was a perfect match. At heart, I am a landscape artist. My medium has always been watercolor. I do, however, appreciate many styles of painting, enjoy delving into new painting techniques, and learning varying styles. I believe an artist learns something of major importance from each instructor encountered. I have been fortunate to have many excellent instructors who have each left a lasting impression on my artistic style. I strongly feel the importance of passing down to others the techniques and knowledge of watercolor. This transition forms a fellowship between the artists of our day--not only from instructor to student, but also from student to student. It reminds me of the kinship I have read existed between the famous painters of 19th century Paris during their creative years as they painted and dined together, discussing their work and methods in the charming cafes of Paris. I am especially fond of the wonderful and picturesque barns of rural Ohio. Having spent many summer weeks on my grandmother’s and grandfather’s farm in Wisconsin during my childhood years, I have always been glad to see the large amount of farmlands still flourishing in our area. They bring back a flood of old memories—fun cousins playing together in grandmother’s yard, and the smells that emanated from her country kitchen. My late husband, Jim, and I often went on adventures we called “barning”, traveling local back country roads on long Sunday afternoon rides. Discovering interesting old barns and farms was the bonus that made the day successful, providing reference photos which become the basis of many watercolors.

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