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To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.
To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.
To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.

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View In My Room

The Listening #4 Painting

Justin Mills

Thailand

Painting, rubber-modified bitumen on Canvas

Size: 15.7 W x 15.7 H x 1.6 D in

Ships in a Box

SOLD
Originally listed for $1,480

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To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, wit...

Year Created:

2014

Subject:
Medium:

Painting, rubber-modified bitumen on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Thailand.

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Born in 1964, Salisbury, Wiltshire, UK Living and working in Thailand since 1996

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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