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"The Magnanimous Wrigley’s Giraffe" Painting

→ Chennakeshav Adya, United Kingdom

Painting, Oil on Canvas

15.7 W x 23.6 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK

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This work of a towering giraffe blowing a bubblegum is an explicit, surreal performative sculpture consisting of lush medleys of colour, pattern, and texture. The work deploys semi fictional characters with real-world knowledge as the struggle to communicate. The work deploys semi fictional charact...

Year Created:

2020

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 23.6 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Arab Emirates.

Need more information?

Contact us.

Need more information?

Contact us.
Chennakeshav Adya

About the Artist

Chennakeshav Adya

United Kingdom

My avant-garde work explores the relationship between the universality of myth and Jungian archetypes. Some of my work also explores the relationship between pre-Raphaelite tenets and multimedia experiences which brings out a hegemony of greed and a sense of nihilism.


With influences as diverse as Derrida and Roy Lichtenstein, new synergies are distilled from both dialogues which mundanely constructed and transcendentally structured.


From the time I was a pre-adolescent, I have been fascinated by the theoretical limits of the universe and by the essential unreality of meaning and existence. What starts out as triumph soon becomes corrupted into a dialectic of defeat, leaving only a sense of decadence and the inevitability of a new order with a cacophony of futility.


As subtle derivatives and spatial momentary forms become distorted through emergent and personal practices, the viewer is left with a tribute to the outposts of our cultural era and with a hymn to the possibilities of our existence shaped by insights into the inaccuracies of our worldly existence in the matrix.

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