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Installation view
Pieridae - Installation view
Detail
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The PIERIDAE Project L146 triptych Painting

Juliet Vles

Switzerland

Painting, Mixed Media on Wood

Size: 101.2 W x 60 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $16,570

315 Views

11

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

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Featured in Inside The Studio

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Artist featured in a collection

ABOUT THE ARTWORK

PIERIDAE Earth- and stonecolours have always been a important feature in Vles’ artwork. Even where she uses bright reds or yellows, they still grow out of dirty whites, brownish greys and muddy blacks. In spite of a stern geometric design, emphasis lays on the «brut», many-layered texture. No surface is ever clean, smooth or polished, and primary colours are anathema to the artist. Some of her work looks as if it had been standing outside for some time to absorb its natural environment - and in many cases, it actually did. Equally, wings are a predominant Vlessian element and some works, like «Wings» or «Cerveaulant», have indeed been exhibited flying from the ceiling, in spite of their oppressive weight. Some smaller pieces of the recent «modules» series just seem to have landed on the wall for a short rest, ready to take off again on the slightest breeze. So it was only a matter of time for these components to merge into the Pieridae, the stonecoloured butterflies that reconcile the flying with the earthly. Of course it is not the artist’s intention to portray butterflies, and there is nothing small, pretty, fluttering, even less «natural» about these paintings. As always in the Vlessian arteverse, it is a matter of association and atmosphere – pieridae being the source, not the objective. David Lanstedt «Flying Colours» 2023 (extract)

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Mixed Media on Wood

Original:

One-of-a-kind Artwork

Size:

101.2 W x 60 H x 1.2 D in

Number of Panels:

3

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Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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