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The Right to be Opaque Painting

dimeji onafuwa

United States

Painting, Oil on Canvas

Size: 24 W x 18 H x 0.2 D in

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Originally listed for $765
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Artist Recognition

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Featured in the Catalog

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

It reminds me of an excerpt on Glissant and opacity from a piece I wrote in Design and Culture: “The late Martiniquan postcolonial theorist Édouard Glissant challenged Western epistemologies on race and identity in the French Antilles by stating that exercising the right to be opaque is a form of resistance to colonial legacy since it pushes back against “creolization,” which can be perceivable as a form of cultural absorption that inevitably leads to cultural erasure. Glissant’s work draws the origins of creolization from the New World colonial legacies of domination. We see effects much like creolization in “normalization” strategies perpetuated through symbolic oppression.” Excerpt from Allies & Decoloniality (Onafuwa 2018)

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I use Yoruba principles of art in my work. Some are Ona (the embellishment of form), Ara (creativity), Ere (improvisation), pipe (completeness) and tutu (coolness). I draw inspiration from the work of the 1960s Bay Area figurative expressionists (Diebenkorn, Oliveira, Brown, Wonner, Bischoff, Park etc) as well as Henri Matisse and Mark Rothko.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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