VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 78.7 W x 45.3 H x 1.4 D in
Ships in a Crate
Year Created: 2006. This piece was inspired by multiple artists such as Dali and Magritte, but also by more modern artists such as Richard Estes and in photography, Gregory Crewdson and Alexander Rodchenko. These artists inspire most of my non-portrait work in that I have a desire to blend realist painting with surrealist subjects/concepts. My aim is to make the viewer question the narrative that is on offer and what the scene is depicting, or aiming to help you to see.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:78.7 W x 45.3 H x 1.4 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born: Bournemouth, UK 1981. I have been painting professionally since 2000, exhibiting my work at multiple venues nationwide and overseas. I regularly undertake commissions and I have sold approx' 40 paintings that are now with collectors across the UK and in other countries including the USA. My work consists mainly of oil paintings on canvas of either portrait work, or unusual landscapes, I also produce detailed drawings and dabble a little in 35mm/digital photography. Within my work, I aim to convey a strong sense of emotional depth in order to provoke discussions around feelings and thoughts which may be obviously or subtlety apparent within the work as a result of external or internal influences. My works are commonly based upon the exploring of everyday emotions along with their inherent conscious and subconscious thoughts. These common themes are also apparent within most of my landscapes, in that the human presences within my works act as tools in illustrating how an individual or collective conscious is affecting the landscape around them or indeed how the landscape is affecting the human element within the work. I regularly aim to show suppressive or uplifting elements within the landscape which address wider, more empirical concerns surrounding issues of humanity and mortality. When there are no figures within the work, I paint in traces of human presence or activity with the same objectives in mind. I am also interested in using texture within my work to convey a sense of history, to create worn surfaces that aid the appearance of character, depth and a sense of historical cause and effect.
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