"The Shepherd Trees" Painting
Painting, Oil on Canvas
25.2 W x 33.1 H in
Framed, Ready to Hang
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
The Shepherd trees at the monastery watch over the bay below
Year Created:
2024
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
25.2 W x 33.1 H x 1.6 D in
Ready to Hang:
Yes
Frame:
Gold
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.
THE VISCERAL ALCHEMY OF THE IN-BETWEEN
JO THORNE is a multi-disciplinary artist whose work exists at the edge of things, where the natural world dissolves into dream, and the physical becomes something wilder.
Her semi-abstract oils draw from myth, memory and the ferocious beauty of the botanical world, using colour and form to coax something that breathes, neither fully real nor entirely imagined, but luminous and alive in the space between.
She creates art to celebrate. To restore. To remind us that beauty is radical, joy is resistance, and nature, given the chance, will always break through.
Her current sculptural trilogy, The Art of Unbinding, marks a significant evolution in her practice. Working with a deconstructed wedding dress, wax, rust, ash and found materials, Jo charts a journey from entrapment to liberation; myth and personal experience woven together.
Working from her studio in Bristol, and a fine art graduate of the University of Hertfordshire, whether on canvas or in sculpture her practice is driven by the same impulse: to alchemise raw feeling into material truth.
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