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The Sperm Dance (no.1) Painting

Tran Dan

Vietnam

Painting, Paint on Canvas

Size: 30.7 W x 50.4 H x 1.6 D in

Ships in a Crate

SOLD
Originally listed for $2,610

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Rhythm of life in my dream stories which is tell again at every night. It also connotes one of my consistent themes which is sexuality.

Year Created:

2017

Subject:
Mediums:

Multi-paneled Painting, Paint on Canvas

Rarity:

One-of-a-kind Artwork

Size:

30.7 W x 50.4 H x 1.6 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Vietnam.

Need more information?

Need more information?

Artist Statement / Tran Dan Tran Dan studied architecture in university, but turned his artistic career into lacquer, and self learned painting and sculpture.His primal media is lacquer yet he works widely from painting to installation, video, photography, and performance. One of Tran's interests is to find a broader possibility of lacquer medium. In Vietnam, lacquer has been one of the most representative traditional and modern arts of Vietnam which has a typical concept, subject, and technique. Typical is as said so, because how artists use lacquer in creating a painting and what they draw (motif) have been not so much practiced, experimented, nor studied. Nonetheless, Tran finds a possibility of lacquer beyond just traditional painting, and is keen to develop its form and art output further: lacquer with/as mix-material paintings/sculptures or (video) installations. While there is no support for contemporary artists from Vietnamese official and governmental institutions, Tran has worked with many foreign cultural institutions in Vietnam such as Denmark, French, German, and Japan, and it broadened his art practice beyond painting such as that he made experimental videos and performances about human consciousness, dream, Vietnamese culture, and foods. He opened an independent art space and organized/directed programs for local artists and international artists. While he is currently working individually, he is still interested in organizing a program and inviting international artists in any future
TRAN DAN / /

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