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Germany
Painting, Oil on Canvas
Size: 59.1 W x 59.1 H x 1.6 D in
Ships in a Crate
The Symphony of Equilibrium – Trilogy (2017) Painting - Oil on irregular layers of gesso on cotton canvas Panted in Lucca, Tuscany The Symphony of Equilibrium Trilogy is a composite of 3 panel paintings of 150 x 50 cm each including the initial Symphony of Equilibrium followed by the Fuga and Vibrato. The paintings send to a musical vibration with different rhythms and crescent's in a visual composition that combines order with improvisation, rhythm with arrhythmia. The painting composition is a large 3 paintings installation of 150 x 50 each resulting in a 150 x 150 cm that can be mixed and arranged separately or in a group. A variation in deepness is given by the 0.5 cm difference between two paintings that are 4 cm and one that is 3.50 cm. The paintings can be displayed together as a panel painting or individually.
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:59.1 W x 59.1 H x 1.6 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
"After all everyone dances to his own personal boomboom" (Tristan Tzara) Nomadic artist in movement between Paris, Lucca in Tuscany and now based in Berlin, after living in all cardinal points of Europe. Oil is my preferred painting medium for its ability to oppose substantive resistance and challenge my initial choices or instincts by leading me into alternative unintentional combinations and visual textures. My paintings are abstract in the residual sense of escapism: I pursue abstraction as something that eludes my experience or any given experience, something that takes me out of the self and not something that conflates the self into an egotistic paroxysm of any superior knowledge, perception or skill. Painting is an opportunity to encounter beauty as accidentality: unplanned, unpredictable and unconstrained. Yet always in confronting the ambiguity and substantiation of matter. My abstractions are expressive shapes taken by the banality of being, and not at all a deep psychoanalytical style of search for something deeply hidden. I don’t paint to uncover the hidden, but rather to cover up the lack of meaning in a world with no metaphysical prospects or substantive reasons for optimism. And all happens in the circumstances that the temptation for optimism cannot be fully abandoned. My abstractions are visual signs kidnapped from my daily views on the world, combining active optimism and pessimism altogether in what I call a 'romantisme dés-espéré'.
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