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The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillow, and the crocodile is the predator, always lurking. Her foundation is never good, as it is continually shrinking and fraying, evidenced by the tattered towel beneath her. The irony is that she is shackled to this life unless she can look into the mirror and by doing so, free herself. Otherwise, she is doomed to this charade, evidenced by her bright dancer's feathers and her costume.
The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillow, and the crocodile is the predator, always lurking. Her foundation is never good, as it is continually shrinking and fraying, evidenced by the tattered towel beneath her. The irony is that she is shackled to this life unless she can look into the mirror and by doing so, free herself. Otherwise, she is doomed to this charade, evidenced by her bright dancer's feathers and her costume.
The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillow, and the crocodile is the predator, always lurking. Her foundation is never good, as it is continually shrinking and fraying, evidenced by the tattered towel beneath her. The irony is that she is shackled to this life unless she can look into the mirror and by doing so, free herself. Otherwise, she is doomed to this charade, evidenced by her bright dancer's feathers and her costume.
The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillow, and the crocodile is the predator, always lurking. Her foundation is never good, as it is continually shrinking and fraying, evidenced by the tattered towel beneath her. The irony is that she is shackled to this life unless she can look into the mirror and by doing so, free herself. Otherwise, she is doomed to this charade, evidenced by her bright dancer's feathers and her costume.
The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillow, and the crocodile is the predator, always lurking. Her foundation is never good, as it is continually shrinking and fraying, evidenced by the tattered towel beneath her. The irony is that she is shackled to this life unless she can look into the mirror and by doing so, free herself. Otherwise, she is doomed to this charade, evidenced by her bright dancer's feathers and her costume.

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The Victim Painting

Robin White

United States

Painting, Oil on Canvas

Size: 36 W x 48 H x 1.5 D in

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$2,850

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789 Views

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The woman depicts the victim, who can neither look into the mirror (a reflection of her behavior), and it is doubtful that even if she did look, she may not see, as she is handicapped with a blindfold, which highlights her predicament. Additionally, the monkey as her enabler, is offering her a pillo...

Year Created:

2012

Subject:

Nude

Styles:

Impressionism

, 

Realism

, 

Surrealism

 

Mediums:

Oil

, 

canvas

, 

Canvas

 

Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

36 W x 48 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Contact us.

I like to paint visuals that tell some kind of a story. Some may be in the form of a portrait and figurative in nature, others more allegorical in nature. Some of the themes I have explored are psychological allegories, alienation using mannequins, surreal landscapes, toxic masculinity, women and desserts. I think the viewer will pick up on the intriguing juxtaposition that is often present and oftentimes, hopefully, the humor. My artworks have been acquired by collectors all over the world. I started exhibiting in 2007, after painting and drawing since the early 70s. I have been featured in galleries, magazines and art guides, including the Miami Herald's Guide to Art Basel. "Robin's style it's easy to see is grounded in graphic design, much like Warhol, Indiana and many other of the 20th century masters. Robin has managed to create a style that takes cues from many different influences, yet is unique in its execution and unique in the fact that it appeals to such a broad audience." ~Vincent Harrison / Castle Fitzjohns Gallery, NYC

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