The first sin Painting

Marija Djuric Born in Bajina Basta, Serbia, 1971.Since 1996 she has been teaching Drawing and Painting at the School of Design. Lives and works in Belgrade.Mother of three children, My drawings: Drawings generated by spontaneous gesture that derives from the process of drawing and nature of the proceedings technique. Almost ritually begins the process of drawing gesture and subconscious mechanisms. Gestures are leading to narrative, without any intention to associate. Lines form abstract forms, figures hint to the figures in the movement that reflects precisely the process of drawing. Form as a contour line does not exist. The composition is dynamic, intertwined areas and move that intersect permeate and construct a space that is alternately deepens and returns to the surface. Hustle to move and move stems from the intimate transmission of the subconscious through water stains that precedes stroke brushes and ends with the edge of the pen points or needles and thread. My paintings: Meditative records are a topic which I have been dealing with for some time. This time the words written acrylic on the canvas. The female nude dancer in dance ecstasy.Expressive strokes and movement figures trying to convey energy, which leads to the merging of the material and the spiritual.   Painting is a complex, abstract artistic entity. Multiple layers makes it vibrant. My icons: All the icons in this album are copies, performed by reproductions. This series is a tree pears, in the rough, somewhere and bark from wood. Through a fine layer of stain Egg pigments, everywhere are traces of texture of rough processing of wood, unless impregnated gauze,   and is then lining - texture of coarse canvas. It is gilded with slag-metal golden sheets or golden acrylic tones. They were made as copies, and in fact none of them is the same. Varnished matt varnish and patina. Rustic dominates the relief of lace,   which gives a special atmosphere.