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View In My Room

|| The journey || Painting

Maxence Ma

France

Painting, Ink on Other

Size: 31.5 W x 15.7 H x 1.2 D in

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$12,205

Shipping included

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208 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Materials animal skin ( calf skin ) , natural mineral color etc.. ARTWORK ON ANIMAL SKIN Animal skins have been used for centuries to capture history as well as in everyday life, but as far as creating works of art out of them, the potential is far from being fully exploited. The skin is an organ...

Year Created:

2016

Subject:
Mediums:

Painting, Ink on Other

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 15.7 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

I am a long-term, semi-professional photographer whose photographic practice originally developed as an extension of my work in painting. Photography began as a way to observe light, structure, and atmosphere — a visual research process that continues to shape my approach today. Working primarily in black and white, I focus on landscapes and transitional spaces where stillness, movement, and time intersect. My images are less concerned with documenting specific places than with capturing quiet emotional states — moments of pause, distance, and subtle tension. My work has been shaped by years of photographing in Paris, with additional projects in Taiwan and Japan. Currently, my practice is centered around central France, particularly the Loire Valley near Mosnes, where rural landscapes and shifting light provide a slower, more contemplative rhythm. I work predominantly with analog film, which remains central to my process. The material qualities of film — grain, tonal depth, and imperfection — allow the images to retain a tactile, reflective presence that aligns closely with my painterly background. Through photography, I seek to create images that function as spaces for reflection rather than narrative, inviting viewers to slow down and engage with silence, ambiguity, and time.

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