"The king's horse" Painting

I am a Transylvanian artist working between illustration, painting, and occasionally theatre set design — somewhere between the visible and the felt. My work grows out of everyday life: raising my two daughters, collecting small emotional accidents, and paying attention to moments most people walk past without noticing. Those quiet details tend to stay with me until they become images. I am interested in the space where things are still uncertain — where tenderness, absurdity, confusion, humor, and resilience can exist in the same room without arguing too much. That is usually where my work begins. I often stretch the body, distort perspective, or build impossible spaces. Not simply for surreal effect, but because beauty and perfection rarely survive every angle unchanged. They are fragile things — often temporary, emotional, and deeply tied to perception. What appears stable from one side can quietly fall apart from another. I move freely between painting and illustration because one language is rarely enough. I also try very hard not to repeat myself. Technical skill matters deeply to me — without it, there is no real freedom to play on canvas or paper — but repeating a successful formula has never been particularly tempting. Every day rearranges us a little. New emotions, memories, tensions, and visual impressions constantly shift the way I see things, so even when certain themes return, they never arrive in exactly the same form twice. My work does not try to escape reality. It simply tilts it slightly — just enough for something unexpected to become visible.