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Tonal Study No. 2 Painting

Glen Stewart

Australia

Painting, Acrylic on Wood

Size: 2.8 W x 2.4 H x 0.8 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic on panel.

Year Created:

2012

Subject:
Styles:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

2.8 W x 2.4 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Australia.

Need more information?

Need more information?

Oscillating between painting, film, performance and installation, Glen Stewart's art practice explores the dynamics between viewer and art work in a variety of ways, particularly how specific illusory and spatial devices elicit particular visceral or sensorial responses within viewers, audiences and spectators alike. Often combining a suite of elements, including large-scale video projections, coupled with acoustic elements (both real-time and pre-recorded) his works enmesh the viewer on multiple levels, creating potent and engaging works of art that address the viewer in a direct and sensuous manner. Recent video works, for example, have transposed or remediated historical illusionism, using digital effects to enhance, exacerbate and transform this imagery in order to deconstruct and examine the illusory power of specific works of art. These works have been presented as site-specific video installations that present or re-interface historical illusionism and transpose it into the realm of the digital. These installations create immersive and multi-sensory environments that involve the viewer, often attempting to blur or demarcate the barriers between art and reality, inviting the viewer to participate visually, spatially and acoustically. His recent paintings and works on paper also address the spectator's senses directly. Through colour, tone and texture they evoke various ethereal and physical/metaphysical associations. Often using historical painting methods such as egg tempera and oil painting, his works evoke a sense of history and time, built up over several layers that create an encrusted patina that is both textural and metaphorical. In his most recent boy of work, agitated verdigris surfaces are juxtaposed against areas of pure colour to produce an effect that is both soothing and immediate; where the viewer is drawn in by the surface textures and the nuances of tonal variations. These works have potential for triggering an array of associations - a tempestuous ocean, for example or other more abstract or otherworldly realms.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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