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Painting, Oil on Canvas
Size: 30.7 W x 35.4 H x 0.1 D in
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3386 Views
9
Artist featured in a collection
90x79 cm Oil on canvas 2014, reproduction after Michelangelo Buonarroti; painting has made according with the ancient precept and art technic of the 16th century, with priming canvas, execution and color layers ( It has described in the Artist's HandBook 'Libro dell'Arte' by C.Cennini, 14th cent. where is discusses the old method of making gesso , of slaking plaster of Paris (a process that involves soaking in water) and mixing with rabbit skin glue. ) NONE USE OF ANY MECHANICAL OR TECHNOLOGICAL DRAWING TRANSFER, EVERYTHING MADE BY HANDCRAFT
Oil on Canvas
One-of-a-kind Artwork
30.7 W x 35.4 H x 0.1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Czech Republic.
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Czech Republic
STATEMENT: Italian watercolorist Maximilian Damico paints primarily on location. He observes city sidewalks and intersections, looking for not the most famous scenes but the most interesting. With quick, lively brushstrokes, Maximilian captures the energy and mood of cities whether in the rain, gloom, or rush hour. The frenetic quality of city life doesn’t detract from the beauty of each scene. Maximilian’s gestural technique instead infuses liveliness in each artwork, a liveliness that makes being in a big city a never-ending thrill. PROCESS: I usually work on location, just sometimes I do several sketches of the same theme and then I go to complete it in the studio...usually I do finish a painting one going on (this is essential in my technique). I do not mind about famous sight seen, but I like walk in some place to find an aesthetic details or an interesting game shadow/light. Basically I approach the painting with a separate palette warm and cold colour, the contrast lets have an interesting three-dimensional and plastic effect; I try every time to move the brush as fast as I can, to catch the movement, that I am seeing in reality, on the paper...that lets the painting get the energy and the vibrations that I am constantly looking for in my style; I can use a very wet paper and brush full of water sometimes I use very dry colour......I never use very tiny size brushes for small details...but I am interested in the big block of masses, their contrast make the beauty in a painting. BIO: I was born in south Italy, and took courses of painting in Academy of Fine Arts in Naples; after the Fine Art 'Diploma', I left south Italy to have broader contact with the international Art scene, following different routes: as Barcelona, London, Paris, New York and Prague: where I maturated my own style made by semi abstract elements and expressionist executions and techniques. I spent 5 years in this kind of wandering life, always looking for areas of visibility, collaboration and contracts with Art Galleries. Meanwhile I was achieving and accomplishing a good number of success and desires, has grown in me the germ of dissatisfaction: an awful virus in a mind of an Artist. For this reason I went back to my own village in Italy on Amalfi Coast, to dig in myself: where after a while , for joke, I applied for a watercolour art contest .
Artist featured by Saatchi Art in a collection
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