VIEW IN MY ROOM
Twinning Painting
United States
Painting, Oil on Canvas
Size: 24 W x 24 H x 1.5 D in
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About The Artwork
The Lukacs twins of Hungary would wake up at 4 am, tend to their animals until noon, when they’d eat a lunch of bacon and bread, and continue working until dinner. They slept in a farmhouse built b their parents, with clay walls and kerosene lamps. Sometimes it got so cold the two slept in hay beds in the barn with the horses. Neither married and they spent their days wearing similar clothes, riding similar bikes, and were always together. I am fascinated with the concept of trying to capture a person’s personality and energy on canvas. With a background in four color process printing, it was a natural segue for me to start applying that mentality to my paintings. I lay down my colors in the same CMYK order that is used with this color process of printing. This gives a depth to the figures that I love and allows the viewer to interact on a deeper level with the subject. I found this image on History In Pictures, and the photograph was taken in 1985 by Janos Stekovics.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Jean McGuire is a Kansas City native who returned to painting a few years ago after a 40-year hiatus. She started her process by focusing on painting with her fingers, creating all the colors from five colors: red, blue, and yellow, black and white. As her work progressed and she started painting portraits, using brushes became a necessary part of her process. She loves the challenge of trying to catch a person’s personality or attitude in her portraits. The details that can be achieved with a brush makes the artistic shift well worth it. To keep things interesting, she started experimenting with the effects of spattering, or throwing, the paint in layers to create an interesting background for her work or to give the impression of an image. Almost all of her landscapes are begun using thrown paint, either as the entire painting, or as a launching point for the piece.
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