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UN-STABLE
UN-STABLE
UN-STABLE (detail)

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UN-STABLE Painting

Irmin Damm

Germany

Painting, Acrylic on Wood

Size: 11.8 W x 11.8 H x 1 D in

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$285

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ABOUT THE ARTWORK

This work consists of four 15*15 cm boards which can be presented in different arrangements. From a series of single and multi-part paintings on chipboard. The crude material is chosen intentionally. The edges should not be covered by a frame. The playful act of re-arranging the four pieces for a different presentation is intentional and encouraged. It was part of the creation as well. I used masking tape amusing myself creating a feeling of movement. I played with my acrylics and let my hand and arm move the paint roller in longer or short strokes. It was fun to take off all the tape at the end of the work process and discover a painting that had not been premeditated. At least not for the visual impression of it.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

11.8 W x 11.8 H x 1 D in

Number of Panels:

4

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Irmin Maria Damm *1959 in Boppard, Germany lives and works in Neustadt an der Weinstraße, Germany after many years in the European capital of Brussels, Belgium. Active in a vibrant local and national art scene, photography and drawing have been predominant in Irmin's more recent art activity. A closer look reveals the inherent link with her paintings. Work groups show her broad and conceptual approach. „NorwayColourX“ combines landscape photography with ink pen drawings and digitally manipulated photos in a classical triptych form. The drawings are abstract, capture impressions of light and colour. The lines reveal the gesture of the hand. They are painterly worked in countless layers of pigment based inks on photo paper. „BLACKBOARD“ paintings recall school boards but transform mathematical curves in decorative and floral gestures. Irmin prepares the acrylic paint using materials as chalk and charcoal. The object character of „UN-STABLE“, a colourful series of small scale paintings, allows to play with the multiple or single piece works. They may but do not need to be hang on a wall. “LABOR” comprises installations and sculptural work which have been shown in solo shows in Essen, Duisburg and Basel. The variations of FOLDER objects originally were part of these environments.

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