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Unobtrusive Ecology 2 Painting

throngkiuba yimchungru

India

Painting, Enamel on Canvas

Size: 47.6 W x 71.7 H x 2.8 D in

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About The Artwork

Nuclear energy is fast becoming a symbol of progress and modernity . I attempt to explore progress as a primitive concept directly interlinked with competition; and competition necessarily constitutes a position of hierarchy. For developed countries nuclear energy enables a false sense of progress through its promise of cheap but unstable energy and through its military capability of catapulting a country to international political superiority – these same countries maintain the hegemony of power and suppress other nations from similar ambitions. Turning a blind eye, they nevertheless export uranium (yellow-cake) from developing countries creating a dependency and propagating a new form of economical colonization. Politics is straight-forward, as is my piece, and yet the loser in this game of trade and tyranny is our environment, represented by the blue skyline and green nature; as unobtrusive as our attitude to ecology continues to be.

Details & Dimensions

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:47.6 W x 71.7 H x 2.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST STATEMENT I don’t paint the picture, I paint only the reality of the world which humans have been destroying in an unprecedented assault while remaining unobtrusive. Likewise I do the same with my artworks, rendering sky, water, trees, land, etc. from multiple layers of wall putty, CaCO3, emulsion primer, adhesive, stainer, and enamel oil which are primarily materials used to build houses--connecting urbanization with chaos. Then, in emulation of environmental devastation, I burn (like the burning of forests) and rework the surface with iron soldering, tearing away at the material with a chisel like the giant Krupp machines mining the earth. Unfortunately, humans have to refund nature on a monumental scale.

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