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Painting, Acrylic on Paper
Size: 25.5 W x 11.5 H x 0.1 D in
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These works of mine are metaphor or personification of nature itself. Structural forms, shapes, texture, surface are the chief parts of my painting. I create textures to map the architectural land through impasto brushstrokes and pigment. Processes of memory perception, identification and familiarization with textural bodies and eroded surfaces continue through tactile sensations. Surface forms and objects are formed through uncertainty, absence and accidental playfullness. The texture develops layer by layer through continuous repair and erasure. My works create a lonely, quiet, rough or smooth place where time seems to stand still. Deserted, eroded surface, plateau, hill, dry branch, bark, rock, swamp----all give birth to old memories and emotions. I cannot resist myself from responding to their irresistible call and they become my chief objects of the work. Consciously I do not bring any living object in my work. Infact numb, inanimate objects exist in space and a visual dialogue is born between them. This very silence and solitude of nature is the soul of my work. In the midst of this vastness and emptiness of nature, the lost folk life seems to be a faint memory.
Acrylic on Paper
One-of-a-kind Artwork
25.5 W x 11.5 H x 0.1 D in
White
Yes
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My name is Sagnik Roy and I am a visual artist. I was born on 9th April, 1998 in Kolkata. Currently I am practicing my art in this city. I am practicing my art currently in a multi-disciplinary medium and language. I am working with new media (Videography, Digital Photo manipulation), Site specific installation, public art, participatory, community based etc. art processes and mediums. My research on theater scenography, from which I also draw inspiration in my own practice. How the integration of the performer's body with multiple objects or materials in a space occurs and an alternative spatial performance language is born where visually I am looking for contemporary alternative organic art forms.
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These works of mine are metaphor or personification of nature itself. Structural forms
shapes
texture
surface are the chief parts of my painting. I create textures to map the architectural land through impasto brushstrokes and pigment. Processes of memory perception
identification and familiarization with textural bodies and eroded surfaces continue through tactile sensations. Surface forms and objects are formed through uncertainty
absence and accidental playfullness. The texture develops layer by layer through continuous repair and erasure. My works create a lonely
quiet
rough or smooth place where time seems to stand still. Deserted
eroded surface
plateau
hill
dry branch