Untitled Painting

TIME IS NOT A LINEAR THING Large-format pictures help reduce the intimacy of photos that are a template for pictures. What used to be in the small format of photography, accessible to everyday viewing and browsing through photo albums, diaries and collected memories, becomes monumental, chilled, devoid of personal and intimate. In this way, I relive the photographed event where I am the object, atmosphere and plot of photography. When taking the photo itself, the photo is a template that I later intuitively resolve. Each picture bears its own problems. At the very beginning, the selection of photographs was such that as a small child I occupy the central part of the composition. Later the space itself evolved, so many times it happened that I excluded some elements from the image itself. Space is then as important as portrait. As space became more and more complex, there was a need for time overlaps.