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Maria Cristina Carmina
Painting, Acrylic on Canvas
Size: 94.5 W x 39.4 H x 2 D in
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The painting is developed over two canvasses measuring 1,20x1.00x0.4 respectively, held together by two rivets which can be detached to facilitate transport. The canvasses can be placed side by side on the wall or slightly detached, depending on taste and personal preference. The painting technique consists in a slightly thickened paint which forms a lightly rough base, adding stains of colour to sketch a landscape, where you can glimpse houses, church towers and vegetation wrapped in a sort of fog where nothing is defined and allows onlooker’s own interpretation. This painting is a work of fantasy, and as per my other paintings, they are a free interpretation of landscapes, places and towns as I imagine them and I see them myself.
Acrylic on Canvas
One-of-a-kind Artwork
94.5 W x 39.4 H x 2 D in
2
Not Framed
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Maria Cristina Carmina was born in Genoa on the 12th of September 1956 and thanks to her mother's praise, she embarked in a long artistic career. A famous statement says that “in nature, light creates colour, in paint, colour creates light”. According to Andre’ Derain, French “fauve” painter of the early ‘900, “the substance of painting is light”. The truthfulness of such statements find an obvious and unequivocable confirmation in Maria Cristina Carmina’s paintings, in which light is the absolute protagonist: light is not only “substance” but it is also the “subject”, and most of all light is the main actor in the representation, which is not a narration but it is splendour and evocation. Light, in Maria Cristina’s paintings , is not faint or suffused but it is an explosion, it is blinding, it is a creative big-bang which progressively gives life to shapes and images. Two aphorisms come to mind by observing her paintings. The first is by the great writer Charles Dickens and it states “The Sun himself is weak when he first rises, and gathers strength and courage as the day gets on”. The second aphorism, of which I can’t recall the author’s name, is in its essence particularly fitting for Carmina’s work: “The power to light up and be enlightened”. MR ANGELO VALCARENGHI, “IL CROCICCHIO” Art Gallery in Campomorone, Italy
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