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Van Gogh in Arles Bedroom Painting

Philip Levine

United States

Painting, Oil on Canvas

Size: 40 W x 30 H x 1 D in

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ABOUT THE ARTWORK

While he was in Arles, Van Gogh made this painting of his bedroom in the Yellow House. He prepared the room himself with simple furniture and with his own work on the wall. Vincent told his brother Theo in a letter that he had deliberately ‘flattened’ the interior and left out the shadows so that his picture would resemble a Japanese print. Van Gogh was very pleased with the painting: ‘When I saw my canvases again after my illness, what seemed to me the best was the bedroom.’ I've always loved Vincent's paintings - sometimes clumsy draftsmanship that never detracted from the passionate emotional way he put paint on the canvas. His paintings resonate with my own style. This painting is obviously not like the original. I took a nude figure and placed Van Gogh's head on it. I think he would have liked it!

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

40 W x 30 H x 1 D in

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I didn't start to paint until turning 40 years of age. Actually it was on my birthday that I remember this conversation I had with myself: "you've been given the gift of art but have not opened that gift." It was that simple and from that day on I committed myself relentlessly to find out what I had inside as an artist. I started taking classes locally with a housewife in Colorado and got my real first feel of what it was like to move paint around on the canvas. There was no formal way to study in Denver at the time so I founded the Art Students League in 1987 so I would have a place to study art. Then when I found a weakness in my art I focused on doing what I could to strengthen myself. To study composition I went to the Musee d'Orsay when I was in Paris and sketched each of the Impressionist canvases they had so I would better understand what makes for a good composition. When I wanted to learn about color I read 5 books on the subject, spent many hours doing color charts and then experimented by taking color to it's most far out extreme -only to wind up bringing it back to the point where it is now. When figures were my weakness I took figure drawing and anatomy classes. And to this day I'm still learning. My palette is called the Rubens Palette - not sure why, but I love it and altered it slightly to add different colors. So now it's composed of yellow ochre, cadmium yellow light, cadmium orange, cadmium red light, quinacridone, platimum violet, phthalo blue and phthalo green (these two are very powerful and took quite some time to get control of them - they seem to want to get on everything like carpets and bed spreads and clothing!, and of course black and white. I have also taught figure painting classes in NYC, Provence, Paris, San Miguel de Allende and demonstrated painting the figure at the Salmagundi Club in NYC and the Fairfax Art League in Virginia.

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