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Velvet Fruits Painting

Feruza Alieva

Uzbekistan

Painting, Acrylic on Soft (Yarn, Cotton, Fabric)

Size: 23.6 W x 17.7 H x 1.2 D in

Ships in a Box

SOLD
Originally listed for $1,100

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ABOUT THE ARTWORK

The plot of the picture was inspired by a trip to the ancient city of Rishtan, which is the center of the masters of traditional turquoise ceramics. The picture shows a bright blue dish that beautifully reflects sunlight and yellow quince fruits. This velvety fruit is a symbol of beauty, love and fertility. The silhouette in the picture is dry branch of Isryk (Hermala), widely used in Central Asia, due to its detoxifying properties. The idea of the painting is like a parallel between Nature and a creative master. Quince, which has absorbed the warmth of the sun and the benefits of the earth, and a master who took clay and put his warmth into the masterpiece he creates. These two parallels define the main goal of the Universe - to create, for the glory of Life. Picture in a frame (baguette). It has an inner layer under the silk, for the density of silk, and its safety. It will contain a certificate about the author and the meaning of the picture. It will be carefully packed in soft polyethylene, in a box or thick paper.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Soft (Yarn, Cotton, Fabric)

Original:

One-of-a-kind Artwork

Size:

23.6 W x 17.7 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In childhood, there was no example of an artist in the family, artistic activity was considered in the family of my consanguinity - a useless occupation and not a serious profession. But the craving for drawing was from the age of 5. I remember myself sketching everything, all my school notebooks were drawn and I carried notebooks and a pencil with me all the time. At the age of 14, I told my parents that I would be an artist, everyone tried to stop me and choose another profession. But still they could not convince me, and the desire to draw gained support from my parents. I began to study academic drawing for university admission. After studying, I tried to write on silk and this was love from the first drop of paint. During the trial period of painting on silk, there were no paints or reserve compositions, so I had to try different options and cook the paint itself and the base, thanks to this experience, now I am the best specialist in my field in Uzbekistan, a specialist who uses new methods and techniques.

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