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Village girl in white bib Painting

Du Bui Trong

Vietnam

Painting, Lacquer on Wood

Size: 31.5 W x 23.6 H x 0.5 D in

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$3,270

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About The Artwork

This picture is painted with lacquer on wood, size: 60X80cm, 1.4cm thick. Painting is lacquer with pigment, son (4 kinds of red color made from natural stone and soil), gold, silver, and eggshell. Using the multi-layer lacquer technique, each layer is lined with silver to create metallic luster for the colors. The bib is a part of the costume of ancient Northern women, the bib is both discreet and sexy. In the hot summer, ladies, sometimes just wear a bib to cool. The beauty of the bib is both rustic but also very graceful and delicate. If one day you go to West Lake in the middle of the lotus season, you will see a lot of young girls wearing bibs. to take the photo. This is an original painting by me, with my signature on the face and a certificate attached when you buy the painting. The picture has a wooden frame and is ready to hang on the wall. Thank you for being patient!

Details & Dimensions

Painting:Lacquer on Wood

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bui Trong Du was born in 1976 in Hai Phong, he currently lives and works in Hanoi. During his studies and work, he traveled to many places in Northern Vietnam, falling in love with his homeland's landscape and imbued with traditional cultural values. Most of his artworks have an Oriental figurative style, sometimes mixed with a bit of impressionism or expressionism. With a simplified and stylized form of expression, the soft penmanship echoes Vietnamese folk paintings. Artworks such as summer lotus flowers, young women with lotuses, street corners, flower vases, and childhood memories such as flocks of birds, fishes, frogs, dragonflies... show the melody of beautiful, innocent life. Creating quality through mastering lacquer material is an important highlight in the work, it contrasts with the simplified form, this combination has created the artist's mark in the context of Vietnamese painting during the Integration.

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