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A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.
A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.
A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.
A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.
A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.

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1

View In My Room

WAITING FOR THE OUTSIDE EDGE Painting

Laurence Wheeler

United Kingdom

Painting, Acrylic on Canvas

Size: 8.3 W x 11.5 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $170

11 Views

1

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ABOUT THE ARTWORK

A painting of a cricket slip fielders waiting for a catch from the outside edge, executed in a semi positive / negative style and catching that dramatic moment of expectation. It is on narrow edge canvas and ready to hang.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

8.3 W x 11.5 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I live on the Kent coast and have a view of the sea from my studio. I love this as it constantly supplies me with a plethora of inspiring material from the ever changing light and atmospheric conditions to the abundance of gulls, birds, wildlife and interesting seaside structures. For drawing I use pen and ink, which I find an exacting and time consuming but satisfying medium for detail. My first choice of painting medium is gouache as it can be used in a myriad of different ways from thin washes to heavier, more dense, applications. depending upon what I am painting. Most of the time I build up colours in layers of varying density to achieve just the right result. For sculptures I use clay, normally with an overcoat of some description, which I find allows me to interpret the subject more emotionally rather than producing an emotionless, cold, static articles. I tend to be attracted to human poise and movement with my sculpting and this medium suits the application well.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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