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Walk Away (SOLD) Painting

Angela Edwards

United Kingdom

Painting, Oil on Wood

Size: 23.6 W x 31.5 H x 2 D in

Ships in a Box

SOLD
Originally listed for $2,040

292 Views

12

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ABOUT THE ARTWORK

Inspired by current news items on the movement of people 'Walk Away' is painted in Oil on Board. This allows me to create movement and depth. I grab images from video footage and by painting them hope to give them increased weigh and permanence.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

23.6 W x 31.5 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a painter living in the UK. I have a studio at Town Quay Studios in Shoreham, West Sussex. In the twenty-first century it is always interesting to see a fine artist conflating traditional materials with new technology.  This is the case in the work of Angela Edwards whose prime medium is oil paint on board or canvas and sometimes charcoal on paper, with the methodology of her subject matter coming directly from digital media, such as video, streamed images and often the use of her iPhone.    Angela’s central thesis is connected to a notion of ‘home’, a theme explored from many different perspectives and one she continually returns to.  This ranges from captured images of people returning home from their work environments to the movement of people across continents, namely refugees and asylum seekers – all the representation of people in her work are seeking the solace of home and belonging.     The representation of people moving through defined spaces, also gives focus to the notion, that while we weave in and out of the spaces of our daily life, there is often a lack of consciousness of critical issues that are occurring in the larger world, thus a certain alienation.   This is evident through the digital layering and shadowing  of the images, where the ‘real’ is transformed, into a type of hyper-real, namely, a simulacrum, where a work is not presented as a copy of the ‘real’ but becomes, via the transformed image, a truth in it own right. By Pauline Ford (Art historian) All work © Angela Edwards 2020

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