501 Views
3
View In My Room
Painting, Ink on Other
Size: 8.1 W x 5.7 H x 0.6 D in
Ships in a Box
501 Views
3
Artist featured in a collection
A friend of mine went on a walking weekend on the Brecon Beacons in Wales with her friends and posted up photographs from the weekend on social media. What struck me in these photos was the vastness of the landscape and the relative smallness of the human beings toiling across it.They looked so vulnerable and their waterproofs and outdoor attire seemed so flimsy in the face of the forces of nature all around them that I felt moved to make a piece of work around it. Another story fed into this painting. I saw, some 20 years ago, an investigative television documentary into the effects a book written by a `spiritual leader` had had on its more vulnerable readers. The `spiritual leader` was advocating that it was possible to live on nothing but light, but that a step-guide to spiritual enlightenment (her book!) should be followed to reach a state wherein food and water could be dispensed with altogether. As you can imagine, this attracted many vulnerable souls. The ultimate ritual that she promised would bring on this desired state was to spend several weeks with minimal food and water, alone in an isolated place in nature. This led to a number of deaths among those people who attempted this `rite of passage`, dying alone in exposed mountainous regions, hypothermic and malnourished. This seemed to me to echo the ancient rituals of self-denial, isolation and introspection so central to many ancient religions, as a means of achieving greater insight and spiritual purity. It also smacked of the vulnerability of human desire, need and survival. The light of what appears to be the sun emanates from the right hand side of the painting, and the walkers are facing this source, but appear to have been caught up on the tree, dangling, vulnerable and helpless. The tree looks like a lop-sided crucifix. Scraps of paper scatter across the landscape. The references are there....
2016
Ink on Other
One-of-a-kind Artwork
8.1 W x 5.7 H x 0.6 D in
Not Framed
Not applicable
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"Although I state that much of my work stems from the imagery thrown up by depression, I would say that it is also the imagery of unconscious connection.Indeed the two are irrevocably entwined. It is no accident that the appearance of animal symbols and the use of bodily products such as hair, urine and blood is also influenced by my former work as a veterinary surgeon. Some time spent in psychoanalysis has helped me to illuminate these connections to find a personal mythology, which I believe connects to a universal meaning of what it is to be human. The `otherness` of animals, their power, vulnerability, unselfconsciousness and instinctual drives, and their relationship with us, are potent symbols of qualities we also have - qualities which we struggle with in our attempts to remain in control of ourselves and our society. It is where these tensions meet that my work is situated." Studio: Sculpture Shed, Spike Island, 133, Cumberland Road, Bristol, BS1 6UX. Tel: (0117) 929 2266; Email:
Artist featured by Saatchi Art in a collection
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