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View In My Room

Wandering and wondering Painting

Mark Dunst

United States

Painting, Acrylic on Wood Panel

Size: 60 W x 40 H x 1.5 D in

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110 Views

24

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ABOUT THE ARTWORK

When I work in the studio it’s always in isolation. The solitude allows me to explore places unavailable if others were around. Yet, I am not alone. I bring with me my experiences, my mentors, my critics, my ego, the artists I envy, the sound of my kids’ voice that I hear in their texts, the feeling when that jerk cut me off on the way in, the disappointment of a lost sale, the color of the leaves in the Fall, the joke the barista told, my wife’s beautiful smile, the smoothie I had for breakfast, the gorgeous sunrise, the gloomy rain, the present the cat left me, the joy and frustration of getting lost in a painting. I may be the only person in the studio, but I bring with me all the things that make up my environment, my life. Sympoiesis is an acknowledgment that no one creates alone, nothing is created in a vacuum. We are not separate from each other or the world we are lucky to inhabit with so many other wonderful and terrible things. We all affect and are affected by each other, we are all a part each other’s lives. We are all a part of it all.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood Panel

Original:

One-of-a-kind Artwork

Size:

60 W x 40 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

When I was a kid, we lived in a sprawling apartment complex in Denver, CO. I must've been 3 or 4 at the time. On the way home from the tiny community pool, I realized I had left my favorite t-shirt behind. It was navy, short-sleeved and showcased a muscular cartoon football player with a thick neck that stopped at the collar where my head became the player's head. (It didn’t hurt that I had a helmet-shaped haircut.) I looked all over for it: around the pool deck, under the chairs, at the bottom of the pool, by the bushes, in the parking lot—several times. My brother finally shouted, WHAT ARE YOU LOOKING FOR?! My shirt! I shot back, my eyes darting around in desperation, glaring at the pool-goers who obviously stole it. YOU'RE WEARING IT!! Whaaaaa...? Such a relief to look down and find my favorite shirt that had never been missing. That's a large part of what I think my abstract painting practice is, an opportunity to search for the things I thought I had lost only to find that I’d been looking for them in the wrong places. Henry David Thoreau wrote in Walden, “Not till we are completely lost, or turned round...do we appreciate the vastness and strangeness of nature. Not till we are lost, in other words not till we have lost the world, do we begin to find ourselves, and realize where we are and the infinite extent of our relations.” We’re all lost in the same liminal space. Lost between a past that is dying and a future that is not yet born. It’s an uncomfortable space filled with doubt and uncertainty but it can also be filled with hope and optimism. Maybe we need to be lost in order to separate ourselves from the habits that are destroying us individually, socially, economically and ecologically. Maybe we need to separate ourselves from the familiar in order to discover a new path that better connects us to ourselves, each other and the world we share. In my nonrepresentational work, I intentionally try to get lost which fills me with equal measures of frustration and aspiration. It’s not the kind of lost where time falls away, although that's important, but it’s being lost where the way forward is veiled in uncertainty. Searching for some sort of resonance with the ambiguous mess in front of me, I work to coax something out of the canvas as the painting unfolds rather than impose something onto it. Striving to short-circuit the connection to what is familiar and habitual in hopes to discover something new or to rediscover something forgotten.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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