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Watchers 04 Painting

Mir-Hamza Efendiyev

Azerbaijan

Painting, Acrylic on Hardboard

Size: 20.9 W x 20.9 H x 1.2 D in

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$1,628

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304 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Two anonymous silhouettes rise from a quiet gray landscape, their softened forms suggesting silent companionship and shared observation. The restrained palette and minimal composition invite reflection on presence, memory, and the subtle emotional space between individuals.

Year Created:

2023

Subject:
Mediums:

Painting, Acrylic on Hardboard

Rarity:

One-of-a-kind Artwork

Size:

20.9 W x 20.9 H x 1.2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Azerbaijan.

Need more information?

Need more information?

My work explores the space between presence and absence, clarity and ambiguity. Through restrained color, texture, and rhythm, I create surfaces where stillness holds a latent tension and time appears layered rather than linear. The works presented under the general title “The Gray Zone” form an artistic concept — a space where opposites converge: stillness and motion, matter and emptiness, visibility and disappearance. Through texture, light, and spatial reduction, I investigate transitional states in which perception becomes uncertain and fluid. In the series “Loft” and “Style and Space”, traces of architecture and accumulated time dissolve into atmospheric surfaces, transforming the notion of space into an ephemeral experience. The series “Watchers” introduces silent figures suspended between individuality and anonymity. Works such as “Mood”, “Before the Storm”, and “The Wave Train” are built on compositional rhythm and the variability of texture, revealing — beneath visual stillness — the inevitability of emerging tension. Grounded in a physical and process-based approach, the paintings do not illustrate ideas but exist as perceptual states where material presence, light, and silence intersect. Titles function not as explanations but as coordinates, allowing the viewer to enter the work without narration.

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Curator - Siting Wang

Siting Wang, Associate Curator