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We will Survive Painting

Rasheed Amodu

Nigeria

Painting, Acrylic on Canvas

Size: 36 W x 48 H x 1.5 D in

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$5,450

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About The Artwork

This (We will Survive) is an Onaism styled acrylic on canvas quasi-abstract painting. We will Survive is a symbolic visual commentary on mankind’s relentless ability to survive different adversities across frontiers from the known to the unknown in our world. It dwells on man’s sheer resilience despite occasional daunting odds such as droughts, famines, wars and carnages of different kinds as well as diseases like the present pandemic; Coronavirus (COVID-19), infecting people across the world without any specific remedy, but by fate and chance, medical trials and determinations, people are getting cured. Thus, we will survive Coronavirus’ challenges like we survived other pandemics in the past. We will Survive is strictly an inspirational discourse on man’s awesome survival instinct in dire situations. The lone withered and famished male figure with his pregnant shadow coupled with the traditional Yoruba/African as well as global forms and motifs metaphorically symbolized hope when hopelessness and defeat stare humanity in the face. His defiance, courage and believe in a better tomorrow against whatever odds is the rugged, dogged and bold stand for victory and success against challenges posed by elements such as Coronavirus, AIDS, cancers, wars, terrorism, chemical and biological weapons, nuclear and other weapons of mass destruction, among others. Man have survived countless battles and wars through the ages, Coronavirus will be defeated like others before her. We will survive. The white background of the painting is a symbolic expression of peace and transcendental bond of eternal bliss to the departed as well as the survivors in the face of Coronavirus and other life threatening scourges. Other colours were employed in the work because of their symbolic and aesthetic significance. The Sun and her benevolent rays heat up the space with lifesaving swilling heat wave of desperate emotional outpouring of relentless faith in mankind’s survival ability in times of wars in any guise, especially when we are united as one human race. The traditional patterns in square spaces were introduced for balance and cultural significance from a Yoruba/African aesthetics’ perspective. The map of the world was superimposed on more traditional patterns to reflect the global nature of the pandemic; Coronavirus that is presently at war with mankind. Some of the traditional Yoruba/African motifs and forms are not just for decoration and aesthetic purpose, they are significant with symbolic and related messages of survival which is relevant to the painting. Some of these motifs and forms are the all Seeing Eye, the never ending concentric circle and square of continuity which symbolizes an eternal world, the undulating three lines of the good (high) and bad (low) times of life, images of the Sun in different forms which is one of the greatest source of power in the universe, image of a stylized mother and child for love; family and continuity of mankind on Earth, the X and other motif of the crossroad of life, motifs of the compound and public place for security and togetherness, motifs of C19 for COVID-19; HIV; A for AIDS, K for kindness and WE for humanity, among others, were creatively imbued into the painting for symbolic significance. The employment of these patterns are in line with Onaism stylistic ideology and rendering. Zillion people were represented on two of the horizontal lines and two curvy lines as well as the lower part of the work to reflect the solidarity of the human race on the quest to conquer Coronavirus and other threats to humanity. The large heads of the figure and shadow has glowing energy forms like the Sun which reflect the deep strength, knowledge and spirituality of man/woman. Since the head is home to the brain, and the brain happens to be one of the greatest force in the universe. The brain can imagine, reinvent, recall, create and achieve countless possibilities. Thus, the image of a mother with a child on her back in stylized form was embellished in the head of the shadow as a metaphor of reproduction and regeneration that ‘we will survive’. The strengthening circular heat waves from the powerful Sun rays was also reflected on the symbolic shadow for symmetrical balance. All figures, forms, patterns, colours and spaces were expressed to capture the inimitable essence of mankind when the topic is about the survival of the human race. We will Survive.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in 1966 at Surulere, Lagos. My parents are from Oyo State, Nigeria. Right from Primary school, I knew that I was destined to be an artist because I cannot stop drawing and coping pictures from dailies and magazines. From my second year in Secondary school, I was also training as an artist in the studio of late David Essiet. Thus, I was a 1981 to 1985 trained Artists before moving on to the university. From 1980 to 1984, I was the Best Fine Arts student throughout my Secondary school years at Igbobi High School, Yaba, Lagos. I was also honoured with a Distinguished Stewardship Award by the Society of Nigerian Artists, Lagos State Chapter in 2015. I have being practicing as an artist since 1985 before going for further studies as well as being involved in other art related engagements till date. As an art critic and historian, I have contributed essays to some books, journals and exhibition catalogues. I have also written articles on art published in Nigerian newspapers such as "The Guardian", "The Nation", and "This Day". I have been documented in several publications. My art works have been collected in Nigeria and other countries such as USA, England, and the Netherland to mention a few. I have executed many commissions in painting, sculpture, graphics, art management and other creative fronts. My creative inspiration comes from diverse sources such as life and death, joy and sadness, simplicity and complexity, natural and mysterious essence of life as well as Godliness. I have worked as a draughtsmanship trainee, graphic artist, art teacher, art and culture manager, and curator between 1984 and 2010. I am a member of the Society of Nigerian Artists (SNA), and Best of lfe group of Artists. My hobbies are reading, writing, watching sports, films, music, nature watch and other forms of art. Whether as Rasheed Amodu or Rasheed Amodu Arts, you can find me online on Facebook, LinkedIn, Instagram, Google+, Twitter, and Pinterest. I am a versatile artist, art teacher and writer, poet, art historian/ critic and consultant based in Lagos, Nigeria.

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