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Painting, Watercolor on Paper
Size: 16.5 W x 22 H x 0.1 D in
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Anyone who has spent time in west Germany during late summer has seen the “Gelbblühende Felder,” or yellow-flowering fields, that shock the eye with their strikingly bold yellow hue. The plant in these fields is “Raps,” or rapeseed, from which the popular oil is extracted. I’ve chosen to emphasize this yellow by depicting a plowed field in the contrasting color, purple. But the painting is about more than admiring the bright yellow fields. It’s about the paradox of time that is often felt so keenly in late summer. Time seems to stand still, yet summer will pass soon. Wind turbines spin industriously, yet their presence feels like those of immortal sentinels. Clouds are as ephemeral as ever, but they hang so languidly in the sky it seems they’ll be there forever. The bright yellow fields will soon be plowed, but their boldness feels timeless. Textured acid-free age-resistant watercolor paper, 210 lb. This is a flat piece, ready to frame, and does not include any hanging hardware.
2023
Watercolor on Paper
One-of-a-kind Artwork
16.5 W x 22 H x 0.1 D in
Not Framed
No
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Germany.
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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United States
Born in New Orleans, I grew up moving from place to place across the south-central United States. My early work was heavily influenced by Dada and Surrealism, but eventually this gave way to a more light-hearted, illustrative style. I became interested in how the image of an object can affect the mood of the viewer, so many of my paintings from this phase were object-based. My work has often been inspired by contradictions. The contradiction between the illusion of soul and the science of anatomy. The interplay of nihilism and optimism, wisdom and naiveté. Watercolor is the ideal medium to illustrate the heaviness of negative space. I also like to experiment with different ways to add texture to my work, sometimes using charcoal or ink, often focusing on contradictions between trompe l'oeil and geometric shapes. After I moved to Germany, I became inspired by the scenes of windmills against backdrops of ever-changing skies. I began to shift my focus toward the harmonious interplay between contradictions, like these man-made windmills amidst a natural landscape. I lived in Germany for three years, and in this time I was greatly inspired by fresh air, big skies, and beautiful wind turbines. I'm an adventurer and an idealist. I love taking my plein air painting kit with me on my travels and using water from the local body of water to paint. I've painted using lake water from the arctic summer in Kiruna, Sweden and sea water from Crete, Greece. I love celebrating human creations in my art, and I dream that my works might inspire even more creativity.
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