VIEW IN MY ROOM
When Marylin becomes Norma-Jean again Painting
France
Painting, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 0.6 D in
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About The Artwork
The title is evocative, the fragility of Marylin far from sequins, rhinestones and show business. Acrylic on 70x50 cm canvas which has previously been coated with paste to create relief and irregularity, framed in a black American frame which contrasts with the blues, final dimension 76x56.5 cm, varnish finish. Le titre est évocateur, la fragilité de Marylin loin des paillettes, des strass et du show-business. Acrylique sur toile de 70x50 cm qui a préalablement été enduite de pâte afin de créer des reliefs et irrégularité, encadré dans un cadre américain noir qui tranche avec les bleus, dimension finale 76x56.5 cm, finition vernis.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 0.6 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I'm from France and I live in the suburb of Paris where I was born in 1966. I paint figurative art because it allows all themes, but as a big dreamer and curious mind I search to face reality without ever approaching it, taking part of it and changing it my way. That's why I like mixing opposites or things which have nothing to do together, putting poetry within a urban landscape with flowers or trees, or representing a part of a human being surrounded with...nothing special. A way to keep free. Nevertheless, I sometimes also appreciate abstract painting and the crazy feelings it brings, especially influenced by the great artist Jackson Pollock. And to create all theses paintings, I've made the choice of acrylic and mixed media paintings, because, in my opinion, these medias give a modern and dynamic finish.
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