VIEW IN MY ROOM
United States
Painting, Oil on Canvas
Size: 20 W x 16 H x 1 D in
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I wanted to express the difference between mortality and death because my research of time has revealed to me that death is merely make-believe, whereas mortality is real. Mortality begins at conception and creates more time(s) but death remains a silent potential of nothing. Mortality is dynamic, fragile, ever-changing, while death is a mystery. I see mortality happen, but I still have no idea of what death is even though I have been that previously. I use the motion of the paint to symbolize this on-going mystery with its awareness created by the reflection of my own consciousness telling me that I used to not exist, yet here I am looking at myself.-This piece has finished edges and is ready to hang.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:20 W x 16 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I tell people that I paint God’s mistake which I know is controversial whether you are deeply religious or the opposite such as atheist. Yet my work is not about God, religion or atheism. My art is about the trauma associated with the inescapable relationship that mortality has with innocence. Our birth is not the intent of mortality, but it necessarily creates our personal annihilation. This personal destiny leaves each of us vulnerable to condemning our connection with innocent others who “created us to die” without our permission. Our “error” is our ownership of blame for mortality which is not the power over death; it is our power over cruelty. This inescapable destiny is where my art begins its expression(s). MY ART I use the ancient form of 2-D art to represent TIME as broken yet unfinished and continuing. Like the backside of a hung painting, we are absent before our birth and brought into reality through “others” who have marked our canvas of life already. Once born we see ourselves reflected on the "front side" of life yet witness our previous absence. My art examines this division as the relationship between hope and trust relevant to innocence. The change that each of us becomes by birth is a natural expression from life that we can perceive as a tradition of change. My art celebrates this with my rotation of mediums, vivid colors, energetic brush strokes, narratives of time-conflict, emotional dichotomies, vortex compositions showing our inescapable connection to a fractured reality, rhetorical word-play, and weapons symbolizing our relationship with mortal vulnerability. My “signature” is broken mirrors that capture the WITNESS as part of my art reminding us of our entitlement to mortal existence.
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