Xian Gena, MEDIALISIS, 1996/2011 Painting

Independent Artist, an eclectic experimenter of techniques and materials, strongly fascinated by visual-language procedures and the varied interconnections between art, avant-garde technology and science in contemporary computer society, with an eye to the coeval theories on aesthetic information and new media. Mental input and action are compressed in sequential layers and semantic sledges. Analogies and dissonances appear among symbolic-formal suggestions and rhythmic, structural intuitions. Paradigms and metaphors of an information flow synthesized in periods and phases of analogical-digital researches echo the cryptic and transcendent sound of progressive shapes. Morphologically transfigured entities and reflected intermittences arise from abstractions and illusions. Minimalist landscapes and instinctive kinetics either fragmented or solid establish the point of convergence of a visionary aesthetic suspended between compositive expressionism and monochromatic spatialism.